SHENZHEN, China, Aug. 15,
2023 /PRNewswire/ -- Tencent Music Entertainment Group ("TME," or the
"Company") (NYSE: TME and HKEX: 1698), the leading online music and
audio entertainment platform in China, today announced its unaudited financial
results for the second quarter ended June
30, 2023.
Second Quarter 2023 Financial Highlights
- Total revenues were RMB7.29
billion (US$1.01 billion),
representing 5.5% year-over-year growth.
- Revenues from online music services increased by 47.6% year-over-year to
RMB4.25 billion (US$586 million), representing 58.3% of total revenues.
- Revenues from music subscriptions were RMB2.89 billion (US$399
million), representing 37.2% year-over-year growth. The
number of paying users reached 99.4 million, increasing by 20.2%
year-over-year and by 5.0 million quarter-over-quarter.
- Net profit attributable to equity holders of the Company
was RMB1.30 billion (US$179 million), representing 51.6%
year-over-year growth. Non-IFRS net profit attributable to
equity holders of the Company[1] was RMB1.53 billion (US$211
million), representing 48.6% year-over-year growth.
- Diluted earnings per ADS was RMB0.82 (US$0.11)
and the number of ADSs used in diluted earnings per ADS
computation was 1.58 billion.
- Total cash, cash equivalents and term deposits as
of June 30, 2023 were RMB30.5 billion (US$4.21
billion).
"We are pleased to report a solid second quarter, supported by
the continued strong growth of our online music services. As we
continue driving the healthy development of China's online music industry, we have seen
users become increasingly accustomed and willing to pay for
copyrighted music, whether for songs they want to listen to or for
premium listening features they enjoy. This trend is evidenced by
the all-time high paying ratio and ARPPU recorded by our online
music services in the reported quarter. Such achievements led to
revenues from online music services exceeding that of social
entertainment services for the first time in our Company's history.
This marks a significant step along TME's growth trajectory," said
Mr. Cussion Pang, Executive Chairman of TME. "Starting from the
latter part of the second quarter of 2023, we have proactively
implemented several service enhancement and risk control measures
to ensure a more music-centric live streaming atmosphere. Although
these measures are expected to put pressure on revenues from social
entertainment services throughout the second half of 2023, and thus
adversely impact our total revenues for this year, we believe such
measures can provide users with an optimized user experience while
paving the way for our healthier and more resilient business
development in the long run."
"We are excited that we reached the milestone of 100
million[2] online music paying users in June this year.
This demonstrates our strength as China's leading online music platform and
reflects our growing appeal to music lovers. As we see greater
growth potential materializes from users' evolving music
consumption mindset, we continually elevate the music experience to
meet users' higher standards and preferences for quality. During
the reporting period, we refined numerous listening features and
recommendation functions to create a personalized, fun music
journey accompanied by optimal sound quality and effects. We also
expanded our music services to more use cases, such as various IoT
scenarios that are geared toward serving a larger audience in a
more immersive way. Furthermore, we created a highly individualized
and differentiated music entertainment experience for users through
our AIGC endeavors. All of these efforts have reinforced our
platform's ability to gain user traction," continued Mr.
Ross Liang, CEO of TME. "At the same
time, TME's deepening ties with iconic labels and artists, as well
as our growing ability to nurture potential musicians and assist in
music production, strengthened our industry influence and content
appeal. In turn, this has energized our platform and enabled us to
more effectively satisfy users' music consumption needs. As we
continue exploring opportunities and possibilities in China's online music arena, our dedication to
copyrighted music places us in a better position to ride the waves
of users' changing music consumption habits, where we can promote
greater prosperity across the music industry while creating
long-term value for our shareholders."
Second Quarter 2023 Financial Review
Total revenues increased by RMB381
million, or 5.5%, to RMB7.29
billion (US$1.01 billion) from
RMB6.91 billion in the same period of
2022, driven again by the strong growth of online music
services.
- Revenues from online music services delivered strong
year-over-year growth of 47.6% to RMB4.25
billion (US$586 million). The
increase was driven by strong growth in music subscription
revenues, supplemented by growth in revenues from advertising
services. Revenues from music subscriptions were RMB2.89 billion (US$399
million), representing growth of 37.2% compared with
RMB2.11 billion in the same period of
2022. This rapid growth was driven by the continued uptick in the
online music paying user base and ARPPU. Specifically, the number
of online music paying users increased by 20.2% year-over-year to
99.4 million, which drove the online music paying ratio to a record
high at 16.7%; while monthly ARPPU expanded to RMB9.7, marking its fifth consecutive quarter of
growth and a record-high amount. The increases in both the number
of paying users and ARPPU were primarily attributable to our
refined operation strategies, more appealing member privileges,
attractive music content, and disciplined promotions. Revenues from
advertising increased both year-over-year and sequentially,
primarily due to the rapid revenue growth in ad-supported mode as
it was adopted by more users. Last year's lower base for comparison
also contributed to the year-over-year increase in advertising
revenues.
- Revenues from social entertainment services and others
decreased by 24.6% to RMB3.04 billion
(US$419 million) from RMB4.03 billion in the same period of 2022. The
decrease was mainly due to the implementation of several service
enhancement and risk control measures intended to offer better
music-centric user experience.
Cost of revenues decreased by 1.1% year-over-year to
RMB4.79 billion (US$660 million). The decline in revenues from
social entertainment services led to a decrease in revenue sharing
fees, which was the primary reason for the overall decrease in cost
of revenues on a year-over-year basis, partially offset by the
increase in content costs of royalties, advertising agency fees and
higher payment channel fees.
Gross margin increased by 4.4 percentage points to
34.3% from 29.9% in the same period of 2022, primarily due to
the strong growth of revenues from music subscriptions and
advertising services, and the ramp-up production of original
content, as well as improved operational cost efficiency.
Total operating expenses decreased by 11.4%
year-over-year to RMB1.26 billion
(US$173 million). Operating expenses
as a percentage of total revenues decreased to 17.2% from 20.5% in
the same period of 2022.
- Selling and marketing expenses were RMB211 million (US$29
million), representing a year-over-year decrease of 30.4%.
This decrease was primarily due to optimization of our overall
promotion strategies, as we reduced spending on user acquisition
and remained focused on brand promotion.
- General and administrative expenses were RMB1.04 billion (US$144
million), representing a year-over-year decrease of 6.3%.
This decrease was primarily due to a decrease in employee-related
expenses as a result of improved headcount efficiency. Expenses
related to our application for secondary listing last year also
contributed to the year-over-year decrease. We continued to closely
manage employee-related expenses by improving headcount efficiency
as well as to invest in research and development to further empower
music-related content creation, enhance production efficiency and
improve sound quality and effects.
Driven by effective cost controls and improved operating
efficiency, our operating profit grew to RMB1.54 billion (US$212
million) in the second quarter of 2023, representing an
increase of 47.3% year-over-year.
For the second quarter of 2023, net profit attributable
to equity holders of the Company was RMB1.30 billion (US$179
million), and non-IFRS net profit attributable to equity
holders of the Company was RMB1.53
billion (US$211 million).
Please refer to the section in this press release titled "Non-IFRS
Financial Measure" for details.
Basic and diluted earnings per American Depositary Shares
("ADS") were RMB0.83 (US$0.11) and RMB0.82 (US$0.11),
respectively, for the second quarter of 2023, and non-IFRS basic
and diluted earnings per ADS were RMB0.98 (US$0.14)
and RMB0.97 (US$0.13), respectively. The Company had weighted
averages of 1.56 billion basic and 1.58 billion diluted ADSs
outstanding, respectively. Each ADS represents two of the Company's
Class A ordinary shares.
As of June 30, 2023, the combined
balance of the Company's cash, cash equivalents and term
deposits amounted to RMB30.5
billion (US$4.21 billion),
compared with RMB28.5 billion as of
March 31, 2023. The increase was
primarily driven by cash flows generated from operations.
Second Quarter 2023 Business Review
Key Operating Metrics[3]
|
2Q23
|
2Q22
|
YoY %
|
MAUs – online music
(million)
|
594
|
623
|
(4.7 %)
|
Mobile MAUs – social
entertainment (million)
|
136
|
166
|
(18.1 %)
|
Paying users – online
music (million)
|
99.4
|
82.7
|
20.2 %
|
Paying users – social
entertainment (million)
|
7.5
|
7.9
|
(5.1 %)
|
Monthly ARPPU – online
music (RMB)
|
9.7
|
8.5
|
14.1 %
|
Monthly ARPPU – social
entertainment (RMB)
|
135.0
|
169.9
|
(20.5 %)
|
Business Updates
Our online music services contributed 58.3% of total revenues,
surpassing the revenue contribution from social entertainment
services for the first time in our development history and marking
a significant milestone along TME's growth path.
Our years of efforts in cultivating users' copyright awareness
are bearing fruit. Along with users' increased willingness to pay
for premium music content and optimal listening experience, we
continued to see exciting performance in online music
subscriptions. In terms of paying users, a combination of
operational measures such as refined operation strategies, more
subscriber privileges and attractive music content translated into
additional new paying users, returning churned subscribers and
improved user retention. All of these efforts contributed to our
record high of 99.4 million paying users in the second quarter of
2023. In addition, we launched a premium package tailored to
couples in June 2023, promoting customized features and privileges
between couples. In terms of paying users' spending, we witnessed a
monthly ARPPU increase for the fifth consecutive quarter to reach
an all-time high at RMB9.7 in the reported quarter. The ongoing
uptick was mainly attributable to effective promotional activities,
a consistently high user retention rate and the increased appeal of
our member privileges, among others. In addition, our
in-car music service has been gaining traction and delivered
good results as we made notable progress in both user base and
monetization.
Online music services other than subscriptions also
delivered robust growth as we further enhanced monetization.
Underpinned by the diversified product portfolio and innovative ad
format, our advertising services remained highly attractive to
advertisers across different industry verticals, among which
advertisers from e-commerce, gaming and travel industries were
outperforming on the advertising spend list. Ad-supported mode
outperformed our overall advertising services, with penetration
steadily improving and revenues significantly increasing. Sponsorship advertising appeals strongly to
various types of brand advertisers as our IP mix provided them with
a broad and diverse target audience, such as our campus music
contest "NEXT SINGER 2023," and our signature music events
"Wave Maker" as well as "DIANFENG MUSIC FESTIVAL." Such a portfolio
of music IPs attracted Sprite and Tongyi Shuangcui to sponsor,
among others. In addition, our artist merchandise business was also
well performed during the quarter, thanks to our strong
relationships with well-known artists who often choose TME as their
trusted partner for the release of albums or sales of various
merchandise.
- Social Entertainment Services and Others
Starting from the latter part of the second quarter of
2023, we have proactively implemented several service
enhancement and risk control measures to provide users with a more
music-centric user experience, including certain adjustments to
live streaming functions and more stringent compliance procedures.
Due to such measures, our social entertainment services performed
weaker than expected for the reported quarter and will continue
facing pressure throughout the second half of 2023. As a result, we
expect total revenues to experience a low-to-mid teens percent
decrease year-over-year for the third quarter of 2023 and a
low-to-mid single-digit percent decrease for the full year 2023 as
compared with 2022.[4] Nevertheless, we remain
confident that we will deliver year-over-year net profit growth for
2023, driven by the continued strong performance of online music
services. We also believe all these efforts will lay a much
more solid foundation for TME's healthy and resilient development
in the long run.
During the quarter, we are also trying out new interactive
features, such as AIGC-empowered virtual gifts and functions of
bullet chats, in our live streaming services to enhance user
interaction experience while increasing our product
competitiveness. In addition, we continue to explore overseas
opportunities leveraging our operational experience in the domestic
market. For example, we further enhanced user experience in singing
rooms and introduced new features to boost engagement, showing
satisfactory initial results in both penetration rate and time
spent.
Operational Updates
We continued boosting the vibrancy of our content ecosystem
among artists, creators and labels. For one thing, we strengthened
our partnership with top-tier music labels and artists to expand
our industry influence and content appeal. And for another, we
revigorated our creator community by reinforcing our ability to
foster promising musicians and creativity through our integrated
resources.
- Hosted Tencent Music
Entertainment Awards 2023 ("TMEA 2023") in Macau in July
2023, highlighted by two music ceremonies and two music
festivals in addition to a lineup of over 80 groups of well-known
domestic and overseas musicians, such as JJ Lin, Jolin Tsai, Zhou
Shen, TIA RAY and
SEVENTEEN.[5] Bolstered by our strong industry influence
and organizational capabilities, TMEA 2023 presented the audience
with such an exceptional roster as well as a large-scale offline
performance of four music events over a single weekend. With an
audience of nearly 40,000 people offline participating in our
two-day event, TMEA 2023 also inspired social media buzz of over 10
billion views, once again creating a national music sensation.
- Remained the partner of choice for iconic labels and artists on
a wider range of content offerings and merchandise, which enables
us to provide music lovers with a rich selection of music content
and products as well as a unique and trendy experience at TME. For
example, in the second quarter of 2023, we renewed our strategic
cooperation with Forward Music, allowing us to offer a wide variety
of Chinese pop music to users in China and abroad. In addition, we cooperated
with Jackson Yee on the release of
his new physical album, Liu
Yanfen. Featuring a head-start release with TME, this
partnership delivered an outstanding sales record for
Liu Yanfen on our
platform.
- Utilized our technological capabilities to facilitate efficient
music creation and promotion. In July
2023, we upgraded Venus, our all-in-one music production and
promotion destination, to better help indie musicians improve their
efficiency in producing, transacting and promoting songs. We
integrated our full suite of AIGC music-making tools into Venus,
significantly improving creators' efficiency at each key music
creation step and elevating their music quality. Venus also greatly
enhances the efficiency of resource consolidation as it gathers a
wealth of demos on its platform and empowers convenient music
transaction and promotion processes. With a diverse range of
creators and labels attracted to Venus, it recorded music
transactions with a total value of over RMB10 million as of the second quarter of
2023.
- Leveraged TME's differentiated and comprehensive set of
resources and opportunities across our well-rounded music ecosystem
to nurture up-and-coming musicians
and foster creativity. For example, our Tencent Musician Platform strengthened its
holistic support system for musicians which ranges from offering
additional exposure to offline performances to launching themed
programs to promote creative content production, and even extends
to helping musicians find commercial opportunities.
On top of the progress in our comprehensive content ecosystem,
we continue optimizing user experience on our platform to reinforce
the traction of our lively and passionate music community among
music lovers. Along with the ongoing refinements to our distinctive
and immersive listening experience, we are also exploring more
innovative and personalized ways of entertainment and
interaction.
- Optimized premium features and product experience to attract
higher user engagement and stickiness to our platform. For example,
QQ Music upgraded its series of QQMUSIC AUDIO to ensure optimal
sound quality and effects, which are now also available in our
in-car service. Kugou Music launched a new version of its flagship
app featuring a more intuitive interface and an engaging unlimited
music discovery function. Furthermore, WeSing introduced a
brand-new function that enhances users' recording and singing
experience through optimized vocal details, enhanced balance
between human voices and accompaniment, and a wider selection of
sound effects as well as recording skins. Coupled with these
enhancements, we also strengthened our ability to recommend music
through refined user preference analysis and optimized algorithms,
allowing a convenient and individualized music discovery.
- Explored market opportunities in IoT areas, especially in-car
use cases. We improved user experience across sound quality and
effects, music recommendation and interactive functions. For
example, QQ Music launched its in-car version 2.0 in June 2023 and forged partnerships with more car
makers. Given our expanded cooperations with more car manufacturers
as well as our in-car offerings embedded in more car models, we can
potentially tap into a wider base of users, who then can enjoy a
seamless, native in-car music listening experience. Alongside the
recovery of offline tourism, driving times have lengthened, thus
increasing the use of in-car music services. As a case in point, we
saw a notable uptick in user activeness and stickiness for our
in-car service during the Chinese holidays in the second quarter of
2023.
- Created a more individualized and differentiated entertainment
experience for users through our exploration in the AIGC area,
while fulfilling their needs for trendy features to keep up with
the AIGC boom. On the online music side, we started testing
"AI-enabled Listening Together" that allows Xiaoqin, our AI music
companion, to join users' music-listening journey, share a variety
of topics including her views on music, and recommend songs or
playlists based on their real-time interaction. This new function
will offer users an interactive, fun way of discovering music as
well as a much more personalized and engaging music listening
experience. On the live streaming side, we innovated AIGC-empowered
virtual gifts for a more trend-setting interaction between users
and anchors. Such virtual gifts can be automatically visualized
soon after users put in a few text descriptions, developing a more
creative and special user-performer bonding during the live
streaming.
Social Responsibilities
TME fulfills its social responsibilities in a unique and
distinctive way, through its strong commitment to music-based
social welfare activities. In the second quarter of 2023, we
cooperated with Tencent Charity and
other public welfare organizations and held two "Little Red Flower
Charity Concerts" for children. In May, we hosted the first concert
to raise public's support for children with hearing impairment. We
helped seven hearing-impaired children replicate their own voices
with our Linyin Engine's AI capabilities, then utilized their
AI-generated voices to create and perform a concert along with
several musicians. On Children's Day in June, we hosted another
concert for children in rural areas, offering them a platform to
express themselves through music while showcasing music aesthetic
education in those villages. These programs not only raise the
public's emotional resonance, they also allow us to explore music's
possibilities and impact across different areas.
Exchange Rate
This announcement contains translations of certain RMB amounts
into U.S. dollars ("USD") at specified rates solely for the
convenience of the reader. Unless otherwise stated, all
translations from RMB to USD were made at the rate of RMB7.2513 to US$1.00, the noon buying rate in effect on
June 30, 2023, in the H.10
statistical release of the Federal Reserve Board. The Company makes
no representation that the RMB or USD amounts referred could be
converted into USD or RMB, as the case may be, at any particular
rate or at all. For analytical presentation, all percentages are
calculated using the numbers presented in the financial statements
contained in this earnings release.
Non-IFRS Financial Measure
The Company uses non-IFRS net profit for the period, which is a
non-IFRS financial measure, in evaluating its operating results and
for financial and operational decision-making purposes. TME
believes that non-IFRS net profit helps identify underlying trends
in the Company's business that could otherwise be distorted by the
effect of certain expenses that the Company includes in its profit
for the period. TME believes that non-IFRS net profit for the
period provides useful information about its results of operations,
enhances the overall understanding of its past performance and
future prospects and allows for greater visibility with respect to
key metrics used by its management in its financial and operational
decision-making.
Non-IFRS net profit for the period should not be considered in
isolation or construed as an alternative to operating profit, net
profit for the period or any other measure of performance or as an
indicator of its operating performance. Investors are encouraged to
review non-IFRS net profit for the period and the reconciliation to
its most directly comparable IFRS measure. Non-IFRS net profit for
the period presented here may not be comparable to similarly titled
measures presented by other companies. Other companies may
calculate similarly titled measures differently, limiting their
usefulness as comparative measures to the Company's data. TME
encourages investors and others to review its financial information
in its entirety and not rely on a single financial measure.
Non-IFRS net profit for the period represents profit for the
period excluding amortization of intangible and other assets
arising from business acquisitions or combinations, share-based
compensation expenses, net losses/gains from investments and income
tax effects.
Please see the "Unaudited Non-IFRS Financial Measure" included
in this press release for a full reconciliation of non-IFRS net
profit for the period to its net profit for the period.
[1] Non-IFRS net
profit and non-IFRS net profit attributable to equity holders of
the Company were arrived at after excluding the combined effect of
amortization of intangible assets and other assets arising from
business acquisitions or combinations, share-based compensation
expenses, net losses/gains from investments, and income tax
effects.
[2] 100 million
herein refers to the number of paying users we reached during June
2023, whereas the 99.4 million paying users for the second quarter
of 2023 refers to the average number of paying users as of the last
day of each month during this quarter.
[3] Starting from
the first quarter of 2023, online music MAUs began to include
unique mobile and certain IoT devices. Accordingly, comparative
figures were updated to conform to the current presentation.
"Online music MAUs" for any given period (i) refers to the monthly
average of the sum of the MAUs for that period; and (ii) includes
QQ Music, Kugou Music, Kuwo Music and other music products, through
which such product is accessed at least once in that month;
duplicate access of different services by the same device is not
eliminated from the calculation.
[4] Such
expectations and estimates are made based on information currently
available to the management and the actual results may be subject
to material changes.
[5] Names of
musicians and bands contained in this press release are sorted
according to the following rules: (i) grouped by musicians and
bands; and (ii) in alphabetical order by given names.
|
About Tencent Music
Entertainment
Tencent Music Entertainment Group
(NYSE: TME and HKEX: 1698) is the leading online music and audio
entertainment platform in China,
operating the country's highly popular and innovative music apps:
QQ Music, Kugou Music, Kuwo Music and WeSing. TME's mission is to
create endless possibilities with music and technology. TME's
platform comprises online music, online audio, online karaoke,
music-centric live streaming and online concert services, enabling
music fans to discover, listen, sing, watch, perform and socialize
around music. For more information, please visit
ir.tencentmusic.com.
Safe Harbor Statement
This press release contains forward-looking statements. These
statements are made under the "safe harbor" provisions of the U.S.
Private Securities Litigation Reform Act of 1995. Statements that
are not historical facts, including statements about the Company's
beliefs and expectations, are forward-looking statements.
Forward-looking statements involve inherent risks and
uncertainties, and a number of factors could cause actual results
to differ materially from those contained in any forward-looking
statement. In some cases, forward-looking statements can be
identified by words or phrases such as "may," "will," "expect,"
"anticipate," "target," "aim," "estimate," "intend," "plan,"
"believe," "potential," "continue," "is/are likely to" or other
similar expressions. Further information regarding these and other
risks, uncertainties or factors is included in the Company's
filings with the SEC and the HKEX. All information provided in this
press release is as of the date of this press release, and the
Company does not undertake any duty to update such information,
except as required under applicable law.
Investor Relations Contact
Tencent Music Entertainment
Group
ir@tencentmusic.com
+86 (755) 8601-3388 ext. 818415
TENCENT MUSIC ENTERTAINMENT
GROUP
|
CONSOLIDATED INCOME STATEMENT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Three Months Ended June 30
|
|
Six Months Ended June 30
|
|
|
|
2022
|
|
2023
|
|
2022
|
|
2023
|
|
|
|
RMB
|
|
RMB
|
|
US$
|
|
RMB
|
|
RMB
|
|
US$
|
|
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
|
|
(in millions, except per share
data)
|
|
(in millions, except per share
data)
|
Revenues
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Online music
services
|
|
|
2,878
|
|
4,249
|
|
586
|
|
5,494
|
|
7,750
|
|
1,069
|
Social entertainment
services and others
|
|
|
4,027
|
|
3,037
|
|
419
|
|
8,055
|
|
6,540
|
|
902
|
|
|
|
6,905
|
|
7,286
|
|
1,005
|
|
13,549
|
|
14,290
|
|
1,971
|
Cost of
revenues
|
|
|
(4,842)
|
|
(4,789)
|
|
(660)
|
|
(9,626)
|
|
(9,478)
|
|
(1,307)
|
Gross profit
|
|
|
2,063
|
|
2,497
|
|
344
|
|
3,923
|
|
4,812
|
|
664
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Selling and marketing
expenses
|
|
|
(303)
|
|
(211)
|
|
(29)
|
|
(633)
|
|
(423)
|
|
(58)
|
General and
administrative expenses
|
|
|
(1,114)
|
|
(1,044)
|
|
(144)
|
|
(2,126)
|
|
(2,061)
|
|
(284)
|
Total operating
expenses
|
|
|
(1,417)
|
|
(1,255)
|
|
(173)
|
|
(2,759)
|
|
(2,484)
|
|
(343)
|
Interest
income
|
|
|
151
|
|
265
|
|
37
|
|
301
|
|
502
|
|
69
|
Other gains,
net
|
|
|
248
|
|
32
|
|
4
|
|
329
|
|
90
|
|
12
|
Operating profit
|
|
|
1,045
|
|
1,539
|
|
212
|
|
1,794
|
|
2,920
|
|
403
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Share of net
(loss)/profit of investments
accounted for using
equity method
|
|
|
(6)
|
|
38
|
|
5
|
|
14
|
|
58
|
|
8
|
Finance cost
|
|
|
(23)
|
|
(42)
|
|
(6)
|
|
(53)
|
|
(76)
|
|
(10)
|
Profit before income tax
|
|
|
1,016
|
|
1,535
|
|
212
|
|
1,755
|
|
2,902
|
|
400
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Income tax
expense
|
|
|
(124)
|
|
(187)
|
|
(26)
|
|
(214)
|
|
(354)
|
|
(49)
|
Profit for the period
|
|
|
892
|
|
1,348
|
|
186
|
|
1,541
|
|
2,548
|
|
351
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Attributable to:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Equity holders of the
Company
|
|
|
856
|
|
1,298
|
|
179
|
|
1,465
|
|
2,446
|
|
337
|
Non-controlling
interests
|
|
|
36
|
|
50
|
|
7
|
|
76
|
|
102
|
|
14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per share for Class A and
Class B
ordinary shares
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
0.27
|
|
0.42
|
|
0.06
|
|
0.45
|
|
0.78
|
|
0.11
|
Diluted
|
|
|
0.26
|
|
0.41
|
|
0.06
|
|
0.45
|
|
0.77
|
|
0.11
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per ADS (2 Class A
shares
equal to 1 ADS)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
0.53
|
|
0.83
|
|
0.11
|
|
0.90
|
|
1.57
|
|
0.22
|
Diluted
|
|
|
0.53
|
|
0.82
|
|
0.11
|
|
0.90
|
|
1.54
|
|
0.21
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Shares used in earnings per Class A
and
Class B ordinary share
computation:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
3,226,303,011
|
|
3,127,610,931
|
|
3,127,610,931
|
|
3,249,655,648
|
|
3,124,169,951
|
|
3,124,169,951
|
Diluted
|
|
|
3,248,584,128
|
|
3,168,826,599
|
|
3,168,826,599
|
|
3,272,858,914
|
|
3,175,466,290
|
|
3,175,466,290
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADS used in earnings per
ADS computation
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
1,613,151,506
|
|
1,563,805,465
|
|
1,563,805,465
|
|
1,624,827,824
|
|
1,562,084,975
|
|
1,562,084,975
|
Diluted
|
|
|
1,624,292,064
|
|
1,584,413,299
|
|
1,584,413,299
|
|
1,636,429,457
|
|
1,587,733,145
|
|
1,587,733,145
|
TENCENT MUSIC ENTERTAINMENT
GROUP
|
UNAUDITED NON-IFRS FINANCIAL
MEASURE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Three Months Ended June 30
|
|
Six Months Ended June 30
|
|
|
|
2022
|
|
2023
|
|
2022
|
|
2023
|
|
|
|
RMB
|
|
RMB
|
|
US$
|
|
RMB
|
|
RMB
|
|
US$
|
|
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
|
|
(in millions, except per share
data)
|
|
(in millions, except per share
data)
|
Profit for the period
|
|
|
892
|
|
1,348
|
|
186
|
|
1,541
|
|
2,548
|
|
351
|
Adjustments:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Amortization of
intangible and other assets arising
from business
acquisitions or combinations*
|
|
|
121
|
|
116
|
|
16
|
|
242
|
|
233
|
|
32
|
Share-based
compensation
|
|
|
226
|
|
166
|
|
23
|
|
430
|
|
368
|
|
51
|
Gains from
investments**
|
|
|
(139)
|
|
(10)
|
|
(1)
|
|
(141)
|
|
(27)
|
|
(4)
|
Income tax
effects***
|
|
|
(35)
|
|
(41)
|
|
(6)
|
|
(68)
|
|
(80)
|
|
(11)
|
Non-IFRS Net Profit
|
|
|
1,065
|
|
1,579
|
|
218
|
|
2,004
|
|
3,042
|
|
420
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Attributable to:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Equity holders of the
Company
|
|
|
1,029
|
|
1,529
|
|
211
|
|
1,928
|
|
2,940
|
|
405
|
Non-controlling
interests
|
|
|
36
|
|
50
|
|
7
|
|
76
|
|
102
|
|
14
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per share for Class A and Class
B
ordinary shares
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
0.32
|
|
0.49
|
|
0.07
|
|
0.59
|
|
0.94
|
|
0.13
|
Diluted
|
|
|
0.32
|
|
0.48
|
|
0.07
|
|
0.59
|
|
0.93
|
|
0.13
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per ADS (2 Class A shares equal to
1
ADS)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
0.64
|
|
0.98
|
|
0.14
|
|
1.19
|
|
1.88
|
|
0.26
|
Diluted
|
|
|
0.63
|
|
0.97
|
|
0.13
|
|
1.18
|
|
1.85
|
|
0.26
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Shares used in earnings per Class A
and
Class B ordinary share
computation:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
3,226,303,011
|
|
3,127,610,931
|
|
3,127,610,931
|
|
3,249,655,648
|
|
3,124,169,951
|
|
3,124,169,951
|
Diluted
|
|
|
3,248,584,128
|
|
3,168,826,599
|
|
3,168,826,599
|
|
3,272,858,914
|
|
3,175,466,290
|
|
3,175,466,290
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADS used in earnings per ADS
computation
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic
|
|
|
1,613,151,506
|
|
1,563,805,465
|
|
1,563,805,465
|
|
1,624,827,824
|
|
1,562,084,975
|
|
1,562,084,975
|
Diluted
|
|
|
1,624,292,064
|
|
1,584,413,299
|
|
1,584,413,299
|
|
1,636,429,457
|
|
1,587,733,145
|
|
1,587,733,145
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
* Represents the
amortization of identifiable assets, including intangible assets
such as domain name, trademark, copyrights, supplier resources,
corporate customer relationships and
non-compete agreement
etc., and fair value adjustment on prepayments for music content
(i.e., signed contracts obtained for the rights to access to the
music contents for which the
amount was amortized
over the contract period), resulting from business acquisitions or
combination.
|
** Including the net
losses/gains on deemed disposals/disposals of investments, fair
value changes arising from investments, impairment provision of
investments and other expenses in
relation to equity
transactions of investments
|
*** Represents the
income tax effects of Non-IFRS adjustments
|
TENCENT MUSIC ENTERTAINMENT
GROUP
|
CONSOLIDATED BALANCE SHEET
|
|
|
|
|
|
|
|
|
|
As at December 31, 2022
|
|
As at June 30, 2023
|
|
|
RMB
|
|
RMB
|
|
US$
|
|
|
Audited
|
|
Unaudited
|
|
Unaudited
|
|
|
(in millions)
|
ASSETS
|
|
|
|
|
|
|
Non-current assets
|
|
|
|
|
|
|
Property, plant and
equipment
|
|
323
|
|
400
|
|
55
|
Land use
rights
|
|
2,480
|
|
2,444
|
|
337
|
Right-of-use
assets
|
|
398
|
|
334
|
|
46
|
Intangible
assets
|
|
2,368
|
|
2,195
|
|
303
|
Goodwill
|
|
19,493
|
|
19,538
|
|
2,694
|
Investments accounted
for using equity method
|
|
4,330
|
|
4,483
|
|
618
|
Financial assets at
fair value through other comprehensive income
|
3,168
|
|
5,592
|
|
771
|
Other
investments
|
|
304
|
|
322
|
|
44
|
Prepayments, deposits
and other assets
|
|
709
|
|
642
|
|
89
|
Deferred tax
assets
|
|
347
|
|
343
|
|
47
|
Term
deposits
|
|
6,530
|
|
7,570
|
|
1,044
|
|
|
40,450
|
|
43,863
|
|
6,049
|
|
|
|
|
|
|
|
Current assets
|
|
|
|
|
|
|
Inventories
|
|
14
|
|
6
|
|
1
|
Accounts
receivable
|
|
2,670
|
|
2,459
|
|
339
|
Prepayments, deposits
and other assets
|
|
2,958
|
|
3,140
|
|
433
|
Other
investments
|
|
37
|
|
37
|
|
5
|
Term
deposits
|
|
11,291
|
|
10,000
|
|
1,379
|
Restricted
Cash
|
|
34
|
|
11
|
|
2
|
Cash and cash
equivalents
|
|
9,555
|
|
12,950
|
|
1,786
|
|
|
26,559
|
|
28,603
|
|
3,945
|
|
|
|
|
|
|
|
Total assets
|
|
67,009
|
|
72,466
|
|
9,994
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EQUITY
|
|
|
|
|
|
|
Equity attributable to equity holders of
the
Company
|
|
|
|
|
|
|
Share
capital
|
|
2
|
|
2
|
|
0
|
Additional paid-in
capital
|
|
36,456
|
|
36,528
|
|
5,037
|
Shares held for share
award schemes
|
|
(202)
|
|
(247)
|
|
(34)
|
Treasury
shares
|
|
(6,349)
|
|
(5,991)
|
|
(826)
|
Other
reserves
|
|
6,140
|
|
8,787
|
|
1,212
|
Retained
earnings
|
|
12,052
|
|
14,498
|
|
1,999
|
|
|
48,099
|
|
53,577
|
|
7,389
|
Non-controlling interests
|
|
1,028
|
|
1,135
|
|
157
|
|
|
|
|
|
|
|
Total equity
|
|
49,127
|
|
54,712
|
|
7,545
|
|
|
|
|
|
|
|
LIABILITIES
|
|
|
|
|
|
|
Non-current liabilities
|
|
|
|
|
|
|
Notes
payables
|
|
5,536
|
|
5,747
|
|
793
|
Other payables and
other liabilities
|
|
6
|
|
-
|
|
-
|
Deferred tax
liabilities
|
|
211
|
|
147
|
|
20
|
Lease
liabilities
|
|
306
|
|
254
|
|
35
|
Deferred
revenue
|
|
106
|
|
165
|
|
23
|
|
|
6,165
|
|
6,313
|
|
871
|
|
|
|
|
|
|
|
Current liabilities
|
|
|
|
|
|
|
Accounts
payable
|
|
4,998
|
|
5,217
|
|
719
|
Other payables and
other liabilities
|
|
4,022
|
|
3,215
|
|
443
|
Current tax
liabilities
|
|
404
|
|
461
|
|
64
|
Lease
liabilities
|
|
123
|
|
122
|
|
17
|
Deferred
revenue
|
|
2,170
|
|
2,426
|
|
335
|
|
|
11,717
|
|
11,441
|
|
1,578
|
|
|
|
|
|
|
|
Total liabilities
|
|
17,882
|
|
17,754
|
|
2,448
|
|
|
|
|
|
|
|
Total equity and liabilities
|
|
67,009
|
|
72,466
|
|
9,994
|
TENCENT MUSIC ENTERTAINMENT
GROUP
|
CONDENSED CONSOLIDATED STATEMENTS OF CASH
FLOWS
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Three Months Ended June 30
|
|
Six Months Ended June 30
|
|
|
2022
|
|
2023
|
|
2022
|
|
2023
|
|
|
RMB
|
|
RMB
|
|
US$
|
|
RMB
|
|
RMB
|
|
US$
|
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
Unaudited
|
|
|
(in millions)
|
|
(in millions)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Net cash provided by
operating activities
|
|
1,241
|
|
2,067
|
|
285
|
|
3,735
|
|
3,919
|
|
540
|
Net cash provided by
/(used in) investing activities
|
|
1,234
|
|
(1,339)
|
|
(185)
|
|
905
|
|
(528)
|
|
(73)
|
Net cash used in
financing activities
|
|
(973)
|
|
(33)
|
|
(5)
|
|
(1,368)
|
|
(113)
|
|
(16)
|
Net increase in cash
and cash equivalents
|
|
1,502
|
|
695
|
|
96
|
|
3,272
|
|
3,278
|
|
452
|
Cash and cash
equivalents at beginning of the period
|
|
8,353
|
|
12,129
|
|
1,673
|
|
6,591
|
|
9,555
|
|
1,318
|
Exchange differences on
cash and cash equivalents
|
|
189
|
|
126
|
|
17
|
|
181
|
|
117
|
|
16
|
Cash and cash
equivalents at end of the period
|
|
10,044
|
|
12,950
|
|
1,786
|
|
10,044
|
|
12,950
|
|
1,786
|
View original
content:https://www.prnewswire.com/news-releases/tencent-music-entertainment-group-announces-second-quarter-2023-unaudited-financial-results-301900506.html
SOURCE Tencent Music Entertainment
Group