Belltower’s Nina Yang Appointed as Head of Production

Belltower Entertainment (OTCBB:BTOW) announced today that Nina Yang has resigned as CEO and has been appointed to the position of Vice President of Production. Ms. Yang will oversee all aspects of the company’s independent film production division.

Ms. Yang entered the entertainment industry in 1998 as a Production Executive for the CBS television series “Martial Law”, starring Sammo Hung, while working as a Senior marketing & media research analyst for Warner Bros. Studios. She was a Development Executive on Jackie Chan’s “Super Cop” and “Rumble in The Bronx”, as well as Production Manager on “Flatland” with legendary Hollywood Producer Albert S. Ruddy (The Godfather, Million Dollar Baby). Ms. Yang received her Masters of Arts Degree in Media Policy/Entertainment Management (Annenberg/Cinema School) from The University of Southern California in 1999.

Company Founder and Chairman Donald K. Bell will serve as CEO on an interim basis while the company interviews potential candidates for the position. The company has been engaged in on-going negotiations as it prepares to expand its operations into commercial production and direct response television in an effort to diversify and increase Belltower’s potential revenue streams.

Belltower Entertainment Corp. is a fully integrated film entertainment company based in Los Angeles with a satellite office in Shanghai, China complemented by strategic production and finance partners throughout the world. Our goal and focus is in securing ownership of film projects to be developed and packaged in-house, which attract premier talent from both behind the camera and in front of it, while keeping costs down through tax friendly production territories and other soft money avenues. Belltower creates favorable studio participation for distribution and P&A funding with critically acclaimed screenwriters and top talent attachments.

With a focus on Asia and Latin America, Belltower is strategically positioned to produce high quality content at cost-effective budgets while maximizing profit margins and upside potential for both the company and its shareholders by retaining control and ownership of its feature film projects.

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